![CreeCarrico_030.jpg](https://images.squarespace-cdn.com/content/v1/5e1780cdccf9687d5d9a71e4/1579036073588-1QOKZW4LHBE3TI6YXYFA/CreeCarrico_030.jpg)
Audio
A jack of all trades, I use my voice to tell stories. Through different languages, styles, and emotional depths, I create an experience that encases the mind and seduces the soul.
Curious? Take a listen!
Production
Experience
Soprano Cree Carrico is “a notably versatile performer” and “sensational actress” who is continuously praised by critics for her “crystal clarity at the center of every note” making it “hard to watch anyone else when she’s on stage.” As a lead interpreter of 20th and 21st century works, Carrico collaborates closely with a number of composers and librettists and performs in many premières of contemporary pieces, including but not limited to the world premieres of Missy Mazzoli and Royce Vavrek’s Proving Up with Opera Omaha and The Miller Theater in New York, as Rosemary Kennedy in David T. Little and Royce Vavrek’s JFK at Fort Worth Opera, with subsequent performances with Montreal Opera, as Solana in the US Premiere of When the Sun Comes Out at Portland Opera, as Amara Bliss in Robert Paterson and David Cote’s Cocoa Cantata, and as a soloist in Blake Allen’s Insomnia at Carnegie Hall.
Notable operatic roles include: Baby Doe in The Ballad of Baby Doe at Chautauqua Opera, Lauretta in Gianni Schicchi at Merola Opera, Gilda in Rigoletto at the Verdi Square Fetival and Syracuse Opera, Younger Alyce in Glory Denied with Kentucky Opera, Opera Memphis, and Urban Arias at the Keegan Theater in DC, Adele in Die Fledermaus with Finger Lakes Opera and Opera Tampa, Beatrice in Three Decembers with Nashville Opera and Opera Memphis, Musetta in La Boheme at Union Avenue Opera and Opera Montana, Mabel in The Pirates of Penzance at Opera Tampa, The Williamson Girl in David Lang’s Difficulty of Crossing a Field at Beth Morrison Projects, Esther in Morning Star with OnSiteOpera, and Stella in A Streetcar Named Desire at Opera Company of Middlebury.