Press
What people are saying…
I am so glad that you are here.
I don’t mean to brag, but, people seem to like me.
See for yourself. ↓
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The Difficulty of Crossing a Field – Carrico, a notably versatile performer, plays up the humor in her part with a girlish impetuosity that spills naturally from her crystal-clear soprano-belt mix.
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Die Fledermaus - A member of Actors Equity, Carrico gave the most complete comic performance I have ever seen in an opera-the total package.
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MUNY Centennial, St Louis Symphony - Cree Carrico gave a rendition of “The Italian Street Song” from “Naughty Marietta” with it’s familiar “zing-zing” lyric that was as sparkling as her full-length green gown. During her performance of “Poor Wandring One” from “The Pirates of Penzance”, Carrico nailed with crystal clarity the center of every note in a spectacular coloratura display, the high notes of which are probably still bouncing around the attic of Powell Hall.
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Morning Star – Cree Carrico, meanwhile, brought a bright soprano and wide, winging phrases as Esther. She is, moreover, a sensational actress; there is an irrepressible brightness in her spirit, and it’s almost hard to watch anyone else when she’s on stage. Even in her reactions to other characters, she hints at a rich inner life with just the flitting of her eyes, or the quick bite of a nail.
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La Boheme - Soprano Cree Carrico fills the role with brilliant energy and attitude. In her waltz aria “Quando m’en vo” she flaunts her pleasure in drawing men’s eyes and desires and Miss Carrico absolutely nails it!
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A Streetcar Named Desire - Soprano Cree Carrico brilliantly revealed Stella’s mixed and troubled emotions.
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The Rise and Fall of the City of Mahoganny – Carrico, who had a gleaming, focused ping to her tone and a Louise Brooks haircut, commanded the stage with her studied affectlessness.
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Ballad of Baby Doe - Lovely Cree Carrico, in the title role, is slender and small in stature, yet she produced a voice which was vibrant and powerful in its middle register, and which soared to a crystalline top, solid in sound, yet tempting us to expect an extremely high note, then seemingly effortlessly, rising even higher.
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